Isn’t it an inch below your belly button? Center. Hara. Source of ki. It’s what you focus on when you meditate. It’s the point from which all movements should initiate. It’s where your awareness is supposed to radiate from, touching all corners of the universe. That’s the center, right?
I’m asking because sometimes I’m not sure myself, particularly when there are more than two people involved. It’s pretty clear where the center should be when it’s just me. And when there’s two people - nage and uke - the center is clearly not below my belly button. It floats between the two aikidoka, dynamically changing throughout the entire waza. But what about during randori when there are three or more people? Where’s the center then?
We are told to connect with the center. But first, we have to identify the center. That is perhaps the hardest thing to teach a beginner. I remember being told to do that when I first started. Way over my head. Couldn’t even understand the concept. All I knew was that there was someone I had to grab or strike and that at some point in the technique, I was gonna end up face down (or butt first) on the mat. Let’s not even discuss what a mess I was as nage.
Eventually, through ukemi practice, I figured out how to align my center with that of nage’s. For example, keeping your center facing nage’s as you’re taken down during ikkyo. At this point in my training, my center = my belly button. It’s a very superficial connection, more for looks than anything else. heh, I must have looked pretty good because I keep getting comments about my beautiful ukemi. Little did I know that what I was doing wasn’t good ukemi. It just looked good. That’s all.
Around 4th kyu, I was introduced to Takeda Sensei’s teachings and his style of ukemi. All of sudden, lights lit up and I realize how disconnected I was. It’s not enough to connect visually - i.e., my belly button to nage’s belly button. It’s not even enough to connect by touch. You must connect viscerally. By that, I mean that you must connect in such a way that you can feel nage’s movements even if your eyes are closed and your arms are cut off.
One of the ways to do that at first is to connect via your point of contact with nage. It might be the nage’s hand, shoulder, whatever. Yes, you still have your arms and hands. Yes, we’re touching. The idea is to get over the idea of connecting with your eyes, which is what we do instinctively when we’re starting out. Learn to feel nage’s center through your hands or fingertips. Feel and move with nage’s movements.
I had an instructor whose ukemi could best be described as sticky. He was constantly in contact with me as nage. Not in that obnoxious I’m not let you get away with anything way, although at first that’s what I thought it was. No, he was connected to my center and knew at any moment what I was doing (and not doing). Training with him was very visceral. Not only was there constant contact but there was also constant pressure. It was a like he stuck a water hose into my center, pouring ki into me. If I stopped, I got overwhelmed. I had to keep moving, blending with his energy.
It was from him that I learned to be sticky myself. Touching is not enough. You must imagine your arm (or whatever body part) is part of a line from your hara to nage’s hara. The angle of the line may change but the ends remain connected. And just as important, there must be energy flowing to and fro the line. Otherwise, it’s just that - a line.
Now, where is the center? Certainly, it’s not at either ends of the line. Simple geometry will tell you that it’s midpoint along the line.
At some point in your practice, you’ll realize touching - the physical point of contact - isn’t really necessary. You will move as if you can sense nage’s (or uke’s) movements as energy. There will no longer be a physical line (i.e., your arm, shoulder, etc). Now you really have to imagine the line and the center along its midpoint. Of course, by then, you will have develop your ukemi to a point that that’s a no-brainer. It’ll be instinctive as breathing.
The practice at our dojo can be best described as energetic. By that, I mean that we often practice ukemi that is connected by energy, rather than touch. It is, I think, one of Sensei’s specialties. It’s beautiful, particularly when uke is just as skilled as sensing and moving with the energy. That’s not to say we don’t practice ukemi by touch. Of course, we do. Especially beginners. But newbies are exposed to it from the onset. That’s a good thing I think. If I wasn’t exposed to Takeda-style ukemi early on, I might still be stuck at the touch phase. Even if the beginners can’t do it now, at least they can see where they can be down the line.
Now, let’s throw in the next twist - randori. With two people, the center is midpoint along the line between nage and uke. But what if there are two or more ukes? Is the center just between you and the uke that you are throwing at the moment? Or is there a bigger center that encompasses every one? Or - and here’s the big one - are you the center?
heh, no answer there since I’m still trying to figure that one out 